Sandro is one of those cool French brands that fits right into a London village lifestyle. Like Agnes B, APC and Zadig & Voltaire, Sandro's collection of cool separates is covetable beyond imagination: Notting Hill, rock chic 'it' girl meets French fashion establishment. A marriage made in Louboutins but sporting decidedly more attitude. And that's why I love it. I'd make space for these Gallic tinged pieces in my over-crammed wardrobe.
Last Thursday night saw this hip and happening label launch its new flagship boutique on London's Westbourne Grove and boy, what a night it was. The Laurent Perrier flowed freely as the Notting Hill fashion set and various journos trooped in en masse. It's been a while since I've seen so many killer heels and handbags in that amount of square footage and I haven't even got around to describing the strokeable, sophisticated sexiness of Sandro's distinctive collection. Sandro's menswear is available at the store for the first time, something, Johnny Borrell (one of the guests) would no doubt, appreciate.
The store, slap bang on the Westbourne Grove 'beach' just made for strolling along, checking out the goods and the talent, presents a full collection of Women's, Men's and Accessories collections. This 1000 square foot space with handpicked 1970s furniture, parquet wood floors and black mirrors creates a uniquely French shopping experience in the heart of Notting Hill which has more than it's fair share of Euro Talent meets Euro Trash. I should know. I lived there for long enough.
Sandro's collection is wide enough for many tastes: Fur jackets are thrown on top of sexy shirts and tight jeans or military type jackets with gold frogging are teamed with cute velvet prints skirts and ruffle shirts. Sexy and severely cut jackets are belted and paired with leather pants while slouchy comfortable grey jersey separates are transformed into tailoring. There's a flirty sexiness to this brand that's attractive in the extreme. The mixing and pairing of simple shapes with exactly the right mix of plain and print and texture clash shows this label to be a lot more sophisticated in thought and design than many catwalk collections.
For Autumn Winter 2010, founder and creative director, Evelyne Chretrite at Sandro, uses luxurious fabrics and skins including leather and shearling, velvet and lace and soft wools. These materials are perfectly complemented by a colour palette of camel, cappuccino, caramel and tobacco shades alongside contrasting hot reds and cool mineral hues.
Evelyne Chretrite describes the Sandro brand as "cool, modern and feminine" and loves the way London girls style it in their own distinctive manner.
“Alexa is exactly the kind of woman I like to dress, she knows her own style, doesn’t follow fashion and always looks unique.”
Alexa Chung, who DJ'ed at the event chose a cute black crepe playsuit (£160) from Sandro’s Autumn/Winter collection to wear on the night.
In the UK, as well as 180 Westbourne Grove, Sandro currently has stores on South Molton Street, Sloane Street and Hampstead High Street, boutiques in Harrods, Selfridges (London and Manchester), Brown Thomas in Dublin and is also sold online at net-a-porter.com
I've been pretty lax of late. There's only two more days to have the giant Hermes bag experience at Selfridges. Hermes and Selfridges have come together to present the Kellydoscope, a unique customer experience that showcases, using video technology and special effects, the life of an accessory inside a Kelly handbag.
This fully immersive luxury experience allows the individual to walk inside a perfect original of the world's original and still one of the most sought after bags. Once inside the 4m high bag, customers are asked to live the on the go luxury life as if one of the owner's accessories. (If stuffed inside my hypothetrical Kelly, they'd no doubt come into contact with various discarded cloakroom tickets, various perfume vials and squished Kleenex).
Three one minute films are the core of the Kelly experience: dancing with a gentleman, bicycling to a picnic or playing on a swing. I expect that if this is truly the life of the Kelly owner, I fear I shall never own one. Step inside my Anya Hindmarch or vintage Prada and replace with suffering from a raging hangover after one too many twinkles at "Dick's ", browsing the rails in Zara and filling your bag with scent strips from niche fragrances in Liberty and you'll get the drift. However, what it does do, is allow the Kelly bag visitor to admire the exacting craftmanship involved in the manufacturing of the Hermes Kelly. Every detail of the regular sized Kelly is faithfully reproduced in the Kellydoscope version, just fifteen times bigger.
The Kellydoscope is part of Selfridges Christmas 'Play' concept allowing a celebration of the inner child. Located in the Concept store's temporary shop within the 'Wonder Room' on Selfridges Ground Floor, it may be the only time one gets to examine a Kelly this close up. Finishes Tuesday, 30th November 2010.
Kellydosope is at the Wonder Room, Selfridges, 400 Oxford Street, London W1. Picture by Andrew Meredith.
A few months ago, I was tempted to a lunch meeting at La Durree, Harrods by the ever lovely beauty PR. At this stage, I thought, so far, so macaroons and champagne. The added bonus treat would be the gleaning of information about a new rave beauty product which I was promised and one can also do with new rave products in one’s life.
I was introduced to M2 Lashes by M2 Beaute, a company founded by Marci Marek and her business partner (Elke Moysies) in Germany to answer the call for serious luxury lash growth through premium, well tested and researched product. This revolutionary and luxurious M2 Lashes Eyelash Activating Serum increases the length, thickness and strength of your eyelashes dramatically.
Now why should this be any different from the current slew of lash growth enhancers on the market? Because it works, dear readers, and leaves hardly a trace of knowing that you’ve actually applied the product. That’s not to say that the others don’t. But from people ‘in the know’ you hear both good and bad. Bloggers dish the dirt. And, to tell you the truth, I’ve always been a trite ‘scary mary’ re things applied around my eyes. I can’t even bear to have mascara applied by a professional make-up artist lest they miss and poke my eye out. Plus, I am a lazy cow. Least number of beauty routines required evah is one of my aims. Up there with a massive engagement rock, a Chanel 2.55 and some serious Valentino. I have enough to do with the bathing, the day/night cream, the serum, the fine line reducing eye product etc. Need I go on? It’s tough being a beauty junkie with an aversion to time spent on application.
M2 Lashes though is a simpler affair. Marci gave me a top tip so I shall pass this on: keep the lash enhancer on your shelf by the sink so you remember to actually use, and apply as a fine eyeliner stroke every evening. Hells bells, even I can manage a stroke. (I really should re-word that but you get my drift). So for the past 9 weeks or so, I have been dutifully applying only forgetting when too *ahem* merry and/or forgetful of an evening and there have been a few but mostly, I have applied the two tubes. One after the other. One as the serum to enhance lash growth and the other as a ‘gloss’ conditioning treatment, stroked on the lashes. One vial contains enough serum to last a minimum of 4 months of recommended use. I’ve been promised that maximum results are still to be achieved, by week 16.
And boy, have my eyelashes grown! I almost can’t believe it. It’s when applying mascara that I really notice the increased length, texture and thickness. When applied daily, the M2 lashes serum makes lashes longer, thicker and stronger, but also makes them noticeably naturally curl slightly, limiting the need for mascara application. But hey, I love my mascara and the two combined have given me eyelashes to rival falsies.
The key active ingredient in all this is a complex MDN, a prostaglandin derivative, which in an alternative form is used in ophthalmology. This modified and carefully dosed ingredient compound stimulates eyelashes at their roots to increase the number of lashes whilst extending the growth phase and delaying lash loss.
Additional Beneficial Components include:
• Panthenol (Vitamin B5) dispenses moisture and promotes shine
• Biotin (Vitamin B7) strengthens lashes and restricts the cycle of lash loss
• Hyaluronic acid keeps the lashes moisturised and healthy
• Prodew 300 absorbs and retains moisture
• Hydrolyzed Glycosaminoglycans (GAG) retains moisture and provides the lashes with more elasticity and strength
And, in keeping with the M2BEAUTÉ philosophy, M2LASHES contains only ingredients that have been scientifically proven to be safe and effective. The products are hypoallergenic and suitable for contact lens wearers.
If you fancy splashing out, I’d definitely recommend this product. *bats lashes*
A light hearted look back over the past week’s good, bad and indifferent including the “don’t even go there’s”.
LOVING
Dr Nick Lowe's range of products (selling in Boots) A charming man with authenticity and vision, Dr Nick Lowe, Dermatologist, is taking his premium looking range of products to a mass market. Why use Dr Brandt when you can have Dr Lowe at a fraction of the price? Love the rich and creamy Hydrating Foaming Cleanser (£9.99, €14.93, 150ml) which is a lightly foaming face wash. Enriched with the Anti Age Cranley Complex and packed with anti-oxidants, this gem delivers high performance cleansing without disturbing the skin’s natural moisture levels. Dr Lowe's philosophy is simple - prevention and repair using personally selected ingredients to deliver superior, high quality product. I'm impressed.
The Roof Terrace at One New Change, London Totally awesome views over London with a looming, illuminated St Paul's overlooking the terrace. The perfect combination of old and new architecture and what London does best. A must see. Glass, open scale walkways and sharp angles combine seamlessly with the ancient 16th & 17th Century rounded domes and spires. http://www.onenewchange.com/
Liberty's S/S '11 CD (given out in press open day goody bags) Blondie's forgotten gem, 'French Kissing in the USA' seques into disco legend, Sylvia Striplin's ' You can't turn me away'. Genius.
myface.cosmetics vibrant, high pigment, single blingtones in purple haze and bell bottom blues (£9.99). Used to recreate this wow, dual jewelled look, it's very 1980's Blitz Club meets The Face. With Steve Strange's new club at Punk, 14 Soho Street, W1, this look's right on trend. Poppy, bling colours for old New Romantics. Available at Boots throughout the UK.
"True Blood's"Eric Normally, I don't go for blondes but I could make an exception...
Muubaa leather jackets A recent convert to this niche brand, look out for it. as its going to be big. Sophisticated, street style jackets in soft, subtle, smooth leather in muted tones of beige and tan through to grey and black, the quirk is the moulded wires in the necklines and sleeves that give a squashy lived in feel and an individual look. Fans include Halle Berry, Charlize Theron and Cheryl Cole, naturally. Check them out in Liberty, Fenwicks and online at http://www.muubaa.co.uk/
Tom Ford's S/S '11 collection imagery (below) This is the ultimate in drop dead glamour. Reminiscent of Angelica Huston meets Deborah Turbeville's Bathhouse series of pics, I'm adoring and in awe of Steven Meisel's photography - the mood, the lighting, the stances, the collection has 'want' stamped all over it. PLEASE can I look like this Mr Ford. Please? Images can be viewed in September 2010 issue of Vogue (USA).
HATING
Saturday nights Whether In (bad TV) or Out (Bridge and Tunnel) it sucks.
That (bloody) M&S Christmas advert So undeniably patronising, it's epic fail time. There's only so much schtick, faux campery and bad 'mum' dancing by Twiggy et al, a person can take.
DON'T CARE For blog launch events starting at 5pm NB. Too early. People *ahem* do actually work as well as write. PRs take note.
What do you think of this week's Barometer loves and hates? Let me know by leaving a comment in the box below. I'd love to hear from you.
Our Government’s swingeing cuts are decimating this country’s public services, 6 million people could be unemployed by Christmas, and the European fiscal markets are dragging us ever further to a financial abyss. However REJOICE citizens of the United Kingdom, and bust that street party bunting out of the attic, as the heir to the throne announces his engagement.
Following the announcement of Prince William and his long-term girlfriend Kate Middleton’s engagement yesterday, you would be forgiven for thinking that the British media has experienced a total loss of sanity, whilst speculation regarding the minutiae of their forthcoming wedding has reached fever pitch and total saturation in record time.
Now I’m not anti-Royal per se (the alternative, a presidential system with a career politician at the helm would concern me far more) but the 24-hour rolling reports of this blessed union has left me with a decidedly sour taste in my mouth.
David Cameron obviously rubbed his hands with glee when the engagement was announced as bad news, such as children’s centres in deprived areas no longer being obliged to provide qualified teaching staff; 23% of the Greater Manchester police force to be cut over the next four years; and the axing of the Aimhigher programme to assist working-class youngsters with university places at the same time as tuition fees are to be trebled, was swept into a mass grave.
According to the BBC, “This is the news that the entire world has been waiting to hear” – by “entire world” I assume they actually mean obsequious armchair commentators and Eighties fashion dinosaurs. When I mention the Eighties this is not a coincidence – the last two grand Royal weddings (Charles & Diana, Andrew & Sarah) occurred during Margaret Thatcher’s government, and also during a period of economic hardship.
The spectre of Diana looms greatly over these nuptials. As well as THAT engagement ring (which I'd swap instantly), the bride-to-be chose an Issa dress for the announcement in almost the exact same shade of regal blue that her dead Mother-in-Law favoured. Sycophantic fashion journalists with one eye on an OBE (we love you Hilary, please don’t debase yourself any further) have been too ready to label Kate a “style icon” in the mould of William’s mother. They are wrong. Whilst Diana had aristocratic beauty, it took her time and coaching to get her wardrobe right. A few Issa dresses and some natty hats do not a style icon make and, whilst Kate’s clothing is neat and safe, it is not indicative of any flair or taste beyond what she takes a fancy to on the racks of Peter Jones.
Famously, Diana’s wedding dress was a disaster – a frothy meringue of creased silk, and yet the media insists on wheeling out David and Elizabeth Emmanuel, the designers of said dress, for their opinion on what, or whom, Kate should decide to wear on her big day. Other suggestions range from the sublime to the ridiculous. I can’t imagine Victoria Beckham racing up to Kensington Palace with her sketch pad any time soon – that is, if she owns one. This supposition is all irrelevant. Unfortunately, Royal protocol, tradition, and the demands of scale mean that the majority of the details of this occasion will be decided upon by people other than the bride.
“Waity Katie” may have finally got her man, and their wedding will undoubtedly be a big day, just not her's.
Article by Lee Clatworthy.
Pic used courtesy of BBC website and AFP. Do you agree/disagree? Please leave a comment in the box below.
It would seem a match made in heaven. After all, it's a natural progression from floristry to fragrance and there is an obvious symbiosis, so why was it so surprising when doyenne of all things elite and floral, Jane Packer, choose to launch fragrance in an attempt to bring pure Packer power to lovers of elite fragrance? Perhaps she doesn't pack the heritage and weight of Guerlain, Chanel or Dior and their massive back catalogue and brand history but this lady knows flowers and where there are flowers, there's scent. And, what's more you can be certain that Ms Packer was behind every detail of this range from inception to fruition so relays the very ethos of Jane Packer.
Yes, only last month, International Floral Designer Jane Packer launched her new fragrance collection, consisting of five contrasting fragrances with different characteristics, all inspired by the myriad of flowers she has worked with over the last two decades.
Jane Packer believes that just as we would buy a new outfit or adorn ourselves with a precious accessory, we choose a special fragrance to complete our wardrobe. Well, that goes without saying, Jane and also the fact, that "that women want their fragrance to reflect their personality." (I can sense that you feel me thinking 'no brainer' at this point. And that would be true).
Like every young girl, Jane Packer had dreamed of creating her own fragrance and as a child, being fascinated by flowers, she would try and produce her own fragrances from the petals collected from her garden. Me too, Jane. Then I wondered why the stagnant mix of water and petals simply didn't smell like Avon's 'Roses' or my mother's 'Fracas' by Piguet. It's a history we all share, madame. So what of your fragrances today? These are a heady and tempting combination as follows: -
Red Roses, Black Violet, Cyclamen
Gardenia, Cedar Wood, Patchouli
Iris, Jasmine, Sandalwood
Green Orchid, Vetiver, Lemon Grass
Fig, Sandalwood, Amber
La Chutzpah received only two to review so I can share my experiences with my readers (loyal or those who merely stumbled on my site by accident....welcome by the way!).
Gardenia, Cedarwood and Patchouli seems to go on lightly but develops into a heady cloud of white and is rather like entering a room filled with intoxicating white flowers, only to feel that your head aches a little after a while and you can't quite figure out why. It's the overpowering floral invasion to your senses that is like drowning in sweet sticky nectar. A little goes a long way with this fragrance and I'd wager this is for those types who can't bear to wear grannyish, saccharine scents from traditional houses but can't bear for the scents of the past to be swept away either. This bridges a stylish safe gap and is sure to be popular. Hints of white Victorian flowing skirts abound.
Indeed, there's something original Laura Ashley'ish about this fragrance collection which is a compliment not a criticism. I was a sucker for Laura Ashley No 1 in my early teens and it irks me that this scent long since eludes me. Perhaps Gardenia, Cedarwood and Patchouli will help me re-live my youth. Or, perhaps I've long since grown and memories are best left unstirred.
Iris, Jasmine and Sandalwood surprised me in that I liked it. A stronger, more rounded fragrance, this is less like lounging in femininity and more smacking of "to boldly go where no (wo)man has dared to go." Sharp and strident, the iris pokes its head through as the fragrance develops but its the laid back jasmine and sandalwood mix in this trio that had me hooked. Again, the fragrance is strong but somehow elicits a more modern, London village, fragrance feel than it's Home Counties sisters. Primrose and Notting Hill Boho types with a slew of children will adore.
The Jane Packer Fragrance Collection consists of a Fragrance, Body Cream and Bath Milk, which are divided into each of the five scents and are available at her flagship store in New Cavendish Street and online at http://www.janepacker.com/. The collection is also available in leading department stores such as House of Fraser's Apothecary area. An international fragrance roll out to New York, Tokyo, Seoul and worldwide will follows.
Eau de Parfum 50ml £45.00 rrp, Bath Milk 200ml £19.50 rrp, Body Cream 180ml £25.00 rrp
Your feedback is appreciated. Please leave a comment in the box below. Thank you.
I have always been more of a Schiaperelli girl. Preferring the flamboyancy, the wildness and the idiosyncratic style she foisted on the Art Deco period and of the Surrealist movement that influenced her. Elsa's legacy lives long into fashion today as she's undoubtedly influenced countless designers (who I wear) including Galliano, McQueen, Gaultier and Yves Saint Laurent.
Where Elsa Schiaperelli was outrageous and flamboyantly original as befit her enormous personality, her greatest rival, Gabrielle ('Coco') Chanel was much more minimalist and conservative. Despite this fact, the two women moved in the same high art, high ideal social circles such as Jean Cocteau, Marcel Duchamp, Igor Stravinsky and Eric Satie. But it is Chanel, her distinctive monochrome style, subdued individualism and her great business empire that remains today while Schiaperelli is resigned to fashion history and museum pieces (more's the pity).
For fashion historians and Chanel groupies, the ultimate Chanel book, Jean Leymarie’s classic monograph on Coco Chanel is back in print once more. Completely revised and updated since its publication in 1989, this book provides a general overview of Chanel’s creative history from her very early days to the development of her legacy after her death by Karl Lagerfeld.
The book is chock full of beautiful imagery, the influences that abounded in Chanel's life and how she influenced others (famously the Duke of Westminster was enamoured and encapsulated so much by Coco Chanel that he had her double CC initials engraved into every lamp-post in Westminster - a fact that can still be seen today), the development of brand Chanel is outlined though Chanel's life in the 258 informative pages.
The reader trips over simply gorgeous Cecil Beaton, Roger Schall and Horst photography amidst snippets of information and pithy quotes from The Lady herself on fashion, society, art and attitudes. As monochrome as Chanel's influences and early designs, Leymarie's book evokes the personality of the designer as it gently enthralls the reader.
This book is an exceptional addition to any fashion library and should be sought out. Fashion students and aficionados take note.
Jean Leymarie's 'Eternal Chanel' is published by Thames & Hudson and is available in hardback at £29.95.
Jean Leymarie (1919-2006) was Director of the Musee National d'Art Moderne in Paris from 1968-1973 and Director of the French Academy in Rome from 1977-1984.
A fan of Chanel? Please leave a comment in the box below.
During September's London Fashion, Team Chutzpah and I attended the launch of 'The Dark Summer Nights' a short fashion film by Jez Tozer (J Maskrey S/S '11 film) to highlight the beauty and distinctiveness of the J Maskrey collection of bejewelled outfits, body jewellery and accessories for S/S '11. Since pioneering skin jewellery in 1999, Maskrey has since worked with some of the most important fashion houses and cosmetic companies in the world so the film was a must see.
Described by J Maskrey as "a handful of Rita Hayworth's Hollywood glamour mixed with the hallucinogenic aesthetic of Jimi Hendrix", the seductive film takes a couple of viewings to get the feel, the detailing and the way out distinctiveness of the bold J Maskrey: Blingy, jewel encrusted '70's sunglasses, huge, red jewelled floral headpieces and dazzling, chunky bracelets are mixed in with bejewelled, vibrant body butterflies in iridescent hues which are worn with see through lace skirts. The mix of contrasting coloured body jewellery worn under black or white lace is particularly 'wow!'. Streaks of dayglo eyeshadow add to the raunchy sophisticated street attitude that just begs to be worn by an edgy pop star with panache. Unfortunately, there aren't that many around with this much style. The short film is all a bit 'Tales of the Unexpected' on an acid trip via Hoxton 2010, which doesn't mean to say it's bad. On the contrary. It just takes a few views to get the impact and the strength of this collection and we all know that stressed fashion eds in killer heels have the attention span of a newt.
So, when I say the very same audacious J Maskrey has just teamed up with high street House of Fraser, it's probably more worthy of an audible gasp.
From 15th November, our very own HoF will be stocking a range of J Maskrey's Swarovski crystal encrusted, hand made jewellery which includes a series of rings, key chains, bag charms, necklaces, hair clips, skin jewellery, brooches and pendants; all in bright and colourful shapes from stars, lips, anchors and skulls, and all with Maskrey's own sense of brand identity but not quite the full bodacious bling as mainline J Maskrey.
Take a look for yourself.
For more J Maskrey wonder visit, http://www.jmaskrey.com/ For prices and availability re the J Maskrey jewellery collection for House of Fraser, contact House of Fraser.
It all started with a longing for a mid week drink and hook up with my Soho comrade in cocktails. A short email verifying mutual consent, followed by the 'where shall we go/meet banter' ended two hours later with three fabulous Mayfair gallery invitations and a pondering of which of each would have the best, non-warm,white wine. However this was soon to be hugely usurped.
Enter the fabulously professional and generous, prestige fragrance L'Oreal PR team who gently prodded me, reminding me I hadn't yet replied to their offer to experience "a dramatic outdoor exhibition celebrating Ralph Lauren Fashion and Fragrances at No.1 New Bond St W1" previewed by cocktails and food at Mahiki followed by a super chic VIP cocktail party at the RL store. Now call me opportunistic but a) great team who you really like plus b) great product c) cocktails, d) VIP party and e) 4D light show extravaganza, kind of won hands down versus gallerying.
Kicking off the evening at Mahiki in Dover Street, we had the opportunity to experience the fragrances as well as mingle with the other people in the small party while sipping on champagne. The latter is always a bonus.
Now, I tend to concentrate on womens' fragrance as mens' fragrances don't offer as much variety and subtlety for me as womens' offerings but hells teeth, I'll give this a go, cynical old synaesthete that I am.
Looking at the packaging is the cleu de jour. Mr Lauren's ultra clever with his marketing and you don't get any bolder, any brasher nor any 1,2, 3, 4 approach than this. Aiming clearly for the 18-30, 'see themselves as preppy, Fulham Road meets The Hamptons (wishful thinking)' variety of young men out there, Ralph Lauren has introduced the 'Big Pony' stable (geddit?) of fragrances. These are hardly subtle in their delivery and packaged to relay a simple message: they are the archetypal, Ralph Lauren polo shirt come to life with clashing vibrant colours, packaging and an easy to understand selection process - you choose your scent by colour association.
Do you go for sporty, citrus No. 1 in its bright blue packaging with bright yellow detailing that screams, 'I'm No 1!' or the more rounded, orangey, woody offering that offers itself up in bright orange with red detailing, screaming 'I'm No.4!' scent. You get the picture. These are not subtle and neither are they meant to be, but, in terms of young men and their selection process, the simplistic psychology and distinctive offering of 'types of fragrance' works for the youth market who buy into brand. This is fragrance selection by numbers. Literally.
If you want my typical take on them, No 1 (Blue) is startlingly fresh and zesty that yells, 'Me, I've just been to the gym, I'm extremely sporty and clean' while our Bright Red No. 2 friend surprised me. On the night, I overlooked this one completely but, since spraying and sniffing, it's a definite grower. Slightly oriental and sweet, it's probably worn by Mr Nice guy in the office, who doesn't seek out attention but you always think, 'Would I, if pushed....' . Now, we get to number 3 and 4 (respectively Green and Orange, which if you're Glaswegian bears remarkable significance) and here's the rub - No 4 is most popular in sales and is all instantly likeable, stylish, woody and fruity. Warm, generous and approachable, Mr Orange No 4 is the type of guy who you'd meet and like and perhaps let him buy you drinks in a bar, but is rather safe and ordinary. Nothing wrong with safe and ordinary, mind. If you like that sort of thing. And many do. Hey ho. However, it was Mr Green No 3 who grabbed my attention. A more subtle mix of fougere and wood with the subtlest hint of mint, this is the spangly sharp young dude who can wear Saville Row with panache. More confident than he should be and aching for maturity, Mr 3 may just end up being Mr Right or at least Mr Right Now. Less Green and more hidden depths, methinks.
And there were plenty of Mr's 1, 2, 3 and 4 at the VIP Ralph Lauren celebration to launch the magnificent 4D light show and The Big Pony fragrance collection.
After mingling in a crammed and excited VIP area with the fashion crew including La Grande Dame herself, Ms Suzy Menkes, and celebrities, Jade Parfitt, Donna Air, Brian Friedman, Saffron Aldridge and Mr David Lauren, all were ushered outside for a 4D light show that was significantly breathtaking and a bona fide 'fashion moment'.
Through the use of advanced video mapping technology, the four dimensional light exhibition used the Ralph Lauren building as a canvas and marked a first for the fashion world. Seamlessly combining art, fashion, music and fragrance into a modern 4D moment that had the crowd hooting and cheering as Ralph waved from a window, the vibrant world of Ralph Lauren illuminated the London night sky as moving footage of iconic products were brought to life on the building façade in a culmination of art, fantasy and light. The spectacular infusion of the Big Pony Fragrance Collection included a light scenting of the Big Pony Fragrances for an ultimate sensory experience.
Beat that for a unexpected Wednesday night in Mayfair*.
The full Big Pony Collection includes 40ml, 75ml and 125ml eau de toilettes. A box set containing all four scents will also be available.
*Thanks to the generous L'Oreal and Ralph Lauren teams who let this blogger experience such an event.
A light hearted look back over the past week’s good, bad and indifferent including the “don’t even go there’s”.
LOVING
Boots 17 Starry Eyes Collection I know! Moi. Liking make-up that doesn't cost the price of two decent cocktails for one lipstick. Boots have stepped up their game and this little collection is a must. There's something strikingly original Biba'esque about it. The Starry Eyes Trios are little round pots of glistening sultry colours.and are available in four celestial combinations including Starstruck, Galactic, Neptune and Moondust, (£4.99 each). But its the glitter liners that really do it for me. Worn with nude eyes, a slick of these on your eyeline adds just the right amount of demure dazzle. Available in Northern Star, Stardust, Supernova and Moonrock (£5.99 each), pair these up with the Eye Trios and create definition guaranteed to set the room alight.
Bob Bob Ricard's basement bar Designed by David Collins, steeped in nostalgia and set out like a glamorous 1930s Pullman carriage, the intimate booths, backgammon flooring and golden hued soft lighting make this a perfect venue for secret liaisons. Super stylish leather booths, distinctive English cocktails and good service by bizarrely dressed staff in ice scream pastels (it's only downside) make this my favourite Soho chic bar and a definite for dates. I liked this venue when it was media centric 'Circus'. I like it even more now. Bob Bob Ricard, 1 Upper James Street, London, W1F http://www.bobbobricard.com/
Occo Bath and Body oil (£25) This new natural luxury brand is supremely stylish and is rooted in the Dalmatian coastline. It's newest pop up shop (all the rage at the moment in times of retail space surplus and brands/retailers unwilling to commit to long leases) is situated in the Royal Exchange right next to Hermes. Only launched in Septembero fthis year, Occo is indulgent without being show- offy. I tried Raiya No6 (Raiya is the ancient Greek name for Dubrovmik, should you ask) which smells of warm sunshine bliss: Lemon, Bergamot, Mandarin, Ginger, Nutmeg, Rosemary, Petitgrin and Anis transports you to another climate. Just what one needs in November. Available from Harrods, Fortum& Mason, Heals and selected John Lewis stores Nationwide.
Students rioting At last! Thank God they've woken up from their stupor of the last 25 years now they have something to really riot against. Ironic that many probably voted for the Liberal Democratic weasel who's currently selling them out. Political? Me?
HATING
The end of Downton Abbey (ITV1) What's a girl going to do on a Sunday night without it and its stellar lines like, "Everyone goes up the aisle with half a secret." Boo hoo. My bodice is well and truly ripped. Lady Mary, I shall miss you.
'Big Society' spin If I hear this right wing, dressed up claptrap masquerading as the caring society one more time I'll want to put my fist in someone's BLANK.
DON’T CARE
For torrential rain and driving wind Together. There's no glamming up any outfit in that kind of weather.
For celebrity fragrances Next up, Katy Perry's 'Purr'. A euphemism too far.
What do you think of this week's Barometer loves and hates? Let me know by leaving a comment in the box below. I'd love to hear from you.
Sometimes a critic thinks they know what they’re getting only to have the rug pulled from under them and their expectations defied. ‘Drawing Fashion’, the current exhibition of fashion illustration at London’s Design Museum, was a definitive “WTF?” moment for this reviewer. The warning signs had been there. In his opening speech, curator and esteemed fashion journo, Colin McDowell, had voiced his distaste for fashion photography and the fashion photography of the 70’s in particular, and had laughingly referred to two high-profile magazine editors, one of which having declared fashion illustration dead and buried whilst the other admitting to him that she knew very little about the art form.
I was lulled into a false sense of security by the chosen venue and the archive footage played at the start of the show, films of vintage catwalk collections from the likes of Christian Dior, Karl Lagerfeld for Chanel, Yohji Yamamoto, and Viktor & Rolf. A brief synopsis on the wall of the museum’s stark, futuristic show space explained the nascent beginnings of fashion illustration following Conde Nast’s acquisition of La Gazette du Bon Ton in 1921 and the creation of French Vogue. Following this were a series of drawings by the genre’s forebears – Erte, Georges Lepape, George Barbier, and Eric.
The impossibly elegant depictions by Bernard Blossac of aristocratic ladies in their couture en repose began to inject some social commentary into the exhibition. It was at this point, as the illustrations became more and more stylised, where I had an inkling that something was not quite right.....
Onto the post-war period with Christian Berard, Rene Gruau, and the late 60’s and Anna Piaggi’s pet artist Antonio Lopez, who often utilised the styles of the fashionable artists of the day, such as Bridget Riley and Roy Lichtenstein, in his work.
Antonio, Joanne Landis, Carnegie Hall Studio 1967.
The modern section concentrated specifically on three main artists. Francois Berthoud, through his iconic commissions by Myla and Commes des Garcon, Aurore de la Morinerie, and Mats Gustafson.
Here the artists shunned traditional media, and whilst Gustafson’s bright watercolour washes for Tiffany may have appeared prosaic, they were also beautiful pieces of art in their own right.
Herein lies the problem. As the exhibition progresses the artists’ vision becomes so far removed from the designer's that by the end, when confronted with a dense, enamel rendering of a Viktor & Rolf piece, you realise that this show is not about design at all, and the initial films and early sketches mere red herrings. The later selection in the show is also curiously flat and devoid of texture, surely essential when depicting tactile forms such as clothes?
McDowell and his co-curator, Joelle Chariau of Galerie Bartsch & Chariau, have created a contradiction – simultaneously celebrating fashion illustration whilst also sentencing it to an old age of specialist publications and Taschen coffee table hardbacks. A eulogy in every sense. As you leave, a specially commissioned mural by Berthoud portraying Gareth Pugh’s latest work covers the end wall, and you can’t help but wish that this exhibition had been less about great art and more about good fashion design.
Researched and written by Lee Clatworthy
Have you seen the 'Drawing Fashion' exhibition yet and do you agree with Lee? Please leave a comment in the box below.
A must-have for any shoe or fashion addict, Shoes A–Z tells the story of sixty years of shoes.
This fun yet authoritative book covers more than 350 leading women’s shoes designers and manufacturers, and includes a vast range of fashionable styles, from trainers to haute couture.
Each illustrated entry features photographs, sketches and advertisements, and highlights how shoe designers have become heroes of popular culture.
In recent years shoes have become objects of fanatical devotion, as covetable designs and designers have gained iconic status. From Christian Louboutin’s signature red sole and the Manolo Blahnik heels that helped to define 'Sex and the City’s' Carrie Bradshaw to the eco-friendly footwear of the future and the comfort and ubiquity of the Ugg or replica high street 'Fugg', shoes are now a fashion statement on their own. They define a character and identity. Step forward, 'Shoes A-Z'.
Designers such as Stuart Weitzman, Gina, Roger Vivier, Nicholas Kirkwood, Maud Frizon and Michel Perry are listed as ae iconic brands of yore, Sacha London and Bata. This is a must for shoe adorers everywhere and shows brilliant examples of shoes through the ages and a short history of each brand.
Loving the ultra pointed, vintage inspired, Rosa shoes with dominatrix attitude that are now made in Italy under the supervision of Edoardo Amaranti.
Notable omissions include Olivia Morris, Giuseppe Zanotti and Charlotte Olympia. Tsk indeed.
'Shoes A-Z' by Jonathan Walford is published by Thames and Hudson priced £16.95. Published October 2010.
A light hearted look back over the past week’s good, bad and indifferent including the “don’t even go there’s”.
LOVING
New Look shoes Aren't they brilliant? So many great catwalk styles and so inexpensive. I've bought about five pairs in as many weeks as they're my latest easy indulgence. I've had so many comments from friends on these when wearing them, they've become the new shock factor: "Yes, they're 'New Look!".
Sienna X Extend and Perfect gradual tan (£14.95) This rich and creamy smooth gradual tan with 4% DHA can be used to extend the spray tan or naturally build up a sunkissed look. It smells wonderful due to its combination of aloe vera, sweet almond oil and cocoa butter. One of the very few self tanning lotions I can use (that doesn't bring me out in rashes and redness) due to its gentleness and lack of parabens. Eureka! Available from Harrods' Urban Retreat and selected salons nationwide. http://www.sienna-x.co.uk/
Richard Wilson's 20:50 Oil installation piece at The Saatchi Gallery Fashion Press Week gave me an excuse to delve into my other passion, art. I cannot believe this had escaped me and thanks to http://disneyrollergirl.blogspot.com/ who told me to check it out. It's a work of complete genius that plays with your senses and visual identity and completely blew me away. It stays with you and a re-visit is a must to imprint it on your consciousness. In a room custom built for the piece, 20:50 transforms the gallery into a site of epic illusion. Just what are you looking at and what is that smell? Disorientating and captivating all at once. This is a truly outstanding work.
Airbase High Definition Professional Make-Up A smooth, glide on foundation that sits lightly on the skin and applies a professional finish. Lightweight and containing vitamin A which improves elasticity of the skin and temporarily reduces the appearance of fine lines. 30ml is £29.95 from http://www.airbasemakeup.com/
Monica and Joe A brilliant new website which features bridge design, hip and hard to find labels for 20 to 40 somethings looking for design difference and individuality from two charming, dedicated and talented people. Wishing them every success. Check it out: http://monicaandjoe.co.uk/
HATING
'The Only Way is Essex' (ITV2) There's no excuse for the tawdry cheapness and a tacky outlook of these people. I realise I may be on my own with this one as it's regarded as 'great tv'.
Chris Moyles Does leaving Radio 1 mean that this fat, uncharismatic oaf will be on our TV screens even more from now on? Uugh!
DON’T CARE
Lanvin for Hennes and Mauritz Errr...looking at this sizeable collection it's been massively overhyped to the nth. And I love and own Lanvin. There's possibly four decent pieces in a collection that should have been tighter and more focussed. The need for volume, over hype and maximum appeal and therefore sales, has diluted the strength of this collection. But that's not what you'll hear from fashion junkies* (*read as sheep) and the mass fashion media. Not a patch on the original Stella McCartney or Sonia Rykiel for H and M.
What do you think of this week's Barometer loves and hates? Let me know by leaving a comment in the box below. I'd love to hear from you.
A few weeks ago I attended the launch of Avon's Limited Edition Luxe Lace collection at a swish Mayfair hotel and boy, was I surprised. The brand's been totally made over with a tremendous colour range, beautiful packaging and a wide selection of day and evening make-up for all types of women.
What I love about Avon is its wide appeal and it's general niceness and approachability. You think of Avon and immediately think nice thoughts and are transported to childhood or adolescence, usually of dabbing rose cream perfume or trying lipsticks and perfume phials from friends' mothers' Avon sample selection. *guilty face*
However, for the first time in a long time, Avon may truly be regarded as relevant and 'on the money' if not exactly cool...but there's still time and this brand's making leaps and bounds.
The new Luxe Lace colelction promises a mysterious and alluring look. I'd settle for wearable colours with depth and 'wow factor' and this, it certainly has.
The Luxe Lace Eyeshadow Quad is available in two different shades: Lace Hues in soft blues and beiges and Lace Electric in vibrant purples and greys with a dash of white. These are real, wearable colours and can be adapted for day or evening use as I've tried both. I like the flat, matt chalkiness of these shades which surprised me re their adaptability. The shades last for up to 12 hours at £8 each. Bargain.
Luxe Lace ultra colour rich lipstick contains jojoba nad vitamin E to hydrate lips, leaving them sexy smooth and super voluptuous. Available in Instant Mocha, Frostiest Mauve and Pout and all at £7. The Supershock Mascara in black has a thickening base coat and plumping colour in one for volumised lashes for £8.
The Supershock gel eyeliner pens add a dramatic swoop to lash lines. Intense colour in soft and smooth black or silver for only £6.
Finish the look with dramatically dark nails using Avon pro Nail Enamel in Wicked - a vampy red which is sure to get the 21st Century Avon girl noticed.
Avon Luxe Lace Collection launched on 28th October 2010.
The Avon range is not available in shops. To contact your nearest Representative call 0845 601 4040 or buy online at avonshop.co.uk.
First off, the 'Laughter Nuit' bottle is minutely sleek and beautiful; not show off'y beautiful but discreet, discerning, statement, subtlety.
It's slightly curved squareness is tactile and smooth to touch and the round silver cap sets off the silver tag label and the dark aubergine glass that verges on just the right side of black. You can tell this has been designed to sit on a bathroom shelf and look beautiful. Space NK certainly knows how to sell an image and is expert in choosing niche fragrances for discerning fashion divas to try out, but what of their own offering?
It surprised me as it smelled distinctly masculine on first spray. Woody earthiness and sultry purple blackness seep through in cedar, musk and incense, although the latter isn't as strong as it could be as I like a good old overdose of heady incense. What comes through later is a subtle sharpness to the senses with grapefruit and bergamot and a strong back note of violet and cinnamon. The scent belies itself with a freshness that isn't obvious and takes a little getting used to.
The feel is of night time meanderings that would suit 21st century hippy souls who, despite themselves, embrace minimalism rather than the exotic bazaar approach of trinkets, colour and ornaments. The real surprise is that it wouldn't faze me in the least if a gentleman choose to opt for for this fragrance. It lends itself well to either gender. All you need is the chutzpah to carry it off.
Laughter Nuit is available as part of a collection at http://www.spacenk.co.uk/ Laughter Nuit EDP (50ml) is £45, Bath and Shower gel is £22, Body Cream is £36 and Body Lotion is £24.
Marketing & PR hack who cuts to chase as erstwhile blogger. Guest lecturer at Conde Nast College. Lover of fashion, beauty, fragrance & art. Huge collector of vintage clothing. Never happier than when in designer shoes, cocktail in hand. Well versed in the art of parties.
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